In English

How did we succeed…

(Sorry, this is a bit boring self-reflection from our report to Kone Foundation, but we copy-paste it here all the same.)

…in reaching our own goals?

Because we moved slowly by bike we:

  • Had better contact with people than ever before.
  • Experienced our own country and its different areas in a new way, in real-time, real-world.
  • Had a good story, and therefore had good media coverage for our music and message.
  • Had lots of intresting conversations about music and cycling in shops, gas stations, private homes and concerts.
  • Know what it was to be a vagabond musician in Finland hundred years ago – it was tough but great.

Yes, we reached our goals. In addition, we are happy with the concerts. Their structure and rhythm was solid. The music was spiced with short and fun speaks about the tour and the music. Emilia made some new music for the tour, and it worked. Kare surprised himself by playing with Emilia in a few (but not too many!) tunes.

We had good, different roles on stage, and our relationship and contact intensified the concert experience, we hope.

We are still married, which was one of the goals, and not the easiest.

…in reaching the audience?

It is impossible to say how much we had audience, because the concert places varied so much. But generally concerts were quite full, because of good media coverage and good festival organizers.

The most important thing is that the audience was totally different to the normal folk music audience of Helsinki. Finnish folk music got some new friends. We think that the most important concerts were deep in the countryside, outside the cities and big festivals, in local, small cultural spots. There were luckily plenty of those.

This tour was not only a set of live concerts, it was also a concept, an idea. That’s why people reached by traditional and social media must also be included in the audience.

…with media?

Kare was responsible for media. From the beginning it was clear that the tour will need two different media strategies. Traditional newspapers, both national and local, would be important for reaching older audience, especially in the countryside, for concert promotion and for the environmental message. Web and social media would be important for brand work and for reaching the audience that would not come to the concerts.

For traditional media Kare made three separate press releases. In addition to mass posting he personally contacted persons in media supposedly interested in the tour.

That proved to be a success. A two page article in Helsingin Sanomat, the biggest newspaper in Finland, gave a huge media boost in the beginning of the tour. Also provincial and local newspapers followed the tour intensively, by almost twenty articles with interviews, pictures and web versions.

We got pretty good coverage in radio and TV, with a nationwide concert broadcast, live interviews, features and news. Kare contacted also music, folk music and bicycle magazines. Their coverage was decent but not excellent.

For new media Kare set up web pages with all the necessary information, map and blog. There were over 14000 visitors in total, which is quite all right. The traffic increased after the Helsingin Sanomat article. The blog was active all the time, with proper posts, not just concert ads. Map and concert list were carefully updated in real-time.

Kare updated also Emilia’s artist account in Facebook, and there was big increase in likes and good increase in followers.

Our Instagram account got over hundred followers without any specific effort. Integrated with web and Facebook, it was the best tool to communicate the feelings on the road.

In total, the media coverage of the tour was a success.

…in saving the world?

We rode our bikes all the way. (Well, we took a boat to Porvoo when we were part of a bigger group in Art on Wheels, and we took a ferry to Iniö, because there was no road.) We spared about 700 kg of carbon dioxide emissions. Well, we would have spared the same amount by not eating beef during the tour. That is something to think about, and we thought about it in the blog.

But, of course, our main message was that you really can do something to fight the climate change – it is possible to make radical choices in your every day life, and enjoy it. That message got very good reception in concerts and especially in social and traditional media, probably because we told it in a positive way, not by warnings, claims and accusations.

With excellent media coverage, we think we did good job saving the world.

We noticed that we were pioneers in a bigger movement. The idea of CO2 neutrality is getting popular. For example, symphony orchestra Sinfonia Lahti is trying to be CO2 neutral in a few years. We have made our part in getting that movement going.

…in preparing for the future?

Due to good media coverage, the tour lifted Emilia’s brand to new level. Now she is known all over Finland as ”the fiddler who rides a bike”. A good brand is based on a story, and now she has one. It bodes well for the future.

Of course the bike tour in Finland was only a pilot for reaching out to the world. Embassy of The Netherlands already contacted us, and we have some plans and contacts for a tour in Denmark, Northern Germany and Benelux countries. Now we have some proper evidence what it can be.

Quite a lot of people from Finland have also contacted us and suggested some bike tour concerts in for example Kaustinen area and Turku Archipelago. Personally we are planning something for the Helsinki area.

It may take a few years, but it will happen.

Pelago Sibbo – Final review

Pelago Bicycles was kind to sponsor us with a bike for our CO2-free folk music tour in Finland. Sponsoring is nice, but it is even more nice to get some honest feedback, so here we go.

Our Sibbo was size 50 (XS), model 2014, with Shimano Ultegra 11-speed drivetrain, Avid BB7 disc brakes and Pelago’s own finishing kit. We rode it for about 4200 kilometres, most of that with heavy panniers (25+ kilos). Weather was nasty and tarmac was rough, and we also grinded several hundred kilometers of gravel roads. After all that we think we know how the bike took the beating.


Pelago says that ”Sibbo is a lightweight and versatile road bicycle”. That is not correct. Sibbo is not lightweight nor a road bike. It is an excellent, versatile frame built for light touring.

For commuting we prefer a straight bar frame. For road we prefer something lighter. But Sibbo’s frame seems to be made for light touring, with mounting points and room for full fenders, rear rack and big tires. And it has got a very tough character.

Made of double butted Columbus Thron, Sibbo is a sturdy bike, especially in small size with short main tubes. The frame and fork combination is heavy compared to carbon and alloy competitors, but Sibbo is also very stiff, which is good when riding fast on rough roads with a heavy load. For panniers we used Pelago’s own Commuter steel rack, which was as sturdy as the bike – a very good option.

The fork looks nice but as a straight bladed steel fork it is not the most comfortable we have used. But it does not bend when braking, and the bike goes where you point it, even on rough downhills. And you can park the bike however you want and not worry about something damaging your carbon in the middle of nowhere. Steel is a good material for touring, if you calculate the risks.

To release the frame’s full potential it might be a good idea to have low rider mounting points in Sibbo’s front fork. We also did not like the horizontal rear dropouts – they add versatility but make it difficult to take off the rear wheel with full fenders.

Sibbo’s geometry felt stable, and after many hours in the saddle we appreciated the safe feeling on the bike. Still, it is difficult to review the geometry of such a small size bike, or compare it to a bigger size. Angles, wheelbase and weight distribution change according to the size. But for XS Sibbo, Pelago has done a good job to make such a short bike feel so stable.

Sibbo’s paint is of excellent quality. After all the beating there are no chips at all.

Contact points

For starters we made some modifications. Sibbo is specced with an oldfashioned ergo handlebar, which we swapped for a contemporary short reach, shallow drop compact bar. It offered more good hand positions and it made the bike look a lot better. We wonder why Pelago sticks to its old ugly bars. As a design oriented company they should know better.

We also swapped the saddle and seatpost. There was nothing wrong with the saddles Pelago offered us – Brooks Cambium and Pelago’s unbranded – but due to long kilometers ahead of us we took our own, trusted saddle, and it happened to be already attached to a lightweight carbon post.



In 2014 Sibbo still had 25 mm Schwalbe Durano tires. They are too narrow for Sibbo’s character and even look rather anorectic on it, so we put some 28 mm Gatorskins on. This year Sibbo has got proper 28 mm Duranos – a good move.

The wheel’s were Mavic Cross Ones. They stayed true all the way, with no problems in the freewheel or bearings. Good quality, trustworthy touring wheels, enough said.



Shimano’s Ultegra 2 x 11-speed shifting was fast and flawless in the rear but only decent in the front. We did not have to adjust the rear deraileur at all, but in front we had some issues with chain dropping and lazy shifting. It got better with adjustments, but the reason may be Sugino’s crankset. It looks nice but is not as refined as Shimano’s Ultegra would be.

In 2015 Sibbo will have Shimano 105 gearing, but the Sugino crankset remains.

Sibbo’s gearing range (46/36 – 11-28) is wide and steps between gears are small, which is nice for rather flat Finnish roads. We would still advice Pelago to consider 1 x 11 -setup, maybe with 42 in front and 11-36 in back. It would make the bike look sleeker, and the gearing range would be quite enough for Sibbo’s intended use.

Remarkably, Shimano Ultegra chain showed no signs of stretch, when measured after the tour.



On test tours we used another bike with cantilever brakes. They were scary as hell compared to Sibbo’s excellent disc brakes. We advice anybody intrested in their own safety to invest to discs when touring with a load. Sibbo’s mechanical discs (Avids in 2014, TRP Spyres in 2015) are a good compromise – not as easy to maintain as hydraulic discs, but a lot cheaper and using techology that is possible to repair in the middle of nowhere.

We had no issues with pad wear, even when riding in foul weather on gravel roads.



On the tour we had zero techical issues with Sibbo, except a few flat tires caused by snakebites and (our own) worn out tires. That is excellent achievement, considering heavy use and occasional lack of maintenance.

To know Sibbo’s full potential we would like to take off fenders and racks and try it on cyclocross, our favored discipline. The stable geometry might be good for high speed curves and rough singletrack, and there is plenty of room for ’cross rubber. We have seen a few Sibbos raced hard in the local ’cross scene.

As such, Sibbo is a sturdy little bike with quality parts on it. Not a lightweight race steed, but rather a workhorse that gets anything done with ease. And we have to say that Pelago’s interest in good design has inspired us all the time we have ridden our Sibbo. It looks very good, with a perfect balance of contemporary technology and classic lines.

First proper technical

A few days ago Kare’s chain decided to visit his spokes. That was too much for one of them. It was a special high-tension straight-pull spoke, and we did not have a spare. We should have, because anything high-tension and straight is susceptile to breaking.

Unluckily we were in Turku archipelago with no bike shops around. Luckily the wheel did not explode totally. So we called our service team (not really, we called our friend) and asked it (her) to send one of Kare’s spare wheels to Mynämäki, the nearest town. Kare rode there carefully, changed the wheel and send the old one back.

No really an adventure. There was not even rain.

Full art, half cycling

About half of yesterday was included in the tour, because we took an old ship to Porvoo and only rode our bikes back. But what we made in Porvoo was full art, one could say.

We united with dancer Panu Varstala and his Trash Heroes project. Its basic idea is simple:

1. we cruise around the city with our bicycles
2. we clean up areas one by one, to make them better for dancing
3. we dance
4. we move on to our next destination

Sounds pretty much like saving the world.

Mila from Tauko Design also joined us. She is also saving the world – by designing awesome clothes from recycled textiles. Mila was hauling her pop-up shop in a bike trailer

In the ship we played two sets just for fun (and for the food). Sun, sea, smiles – the world was really hugging us.

In Porvoo we played (and cleaned up and danced) four sets on the streets, and Mila was promoting her designs.

The whole concept may sound a little hippie and high-brow, but actually it felt the most natural thing to do on a summer day in Porvoo.

It was great to ride home in the cool August night. The summer is nearing its end, but that is very ok with us.

Today it’s back to basics. We ride to Mäntsälä, play in a local small festival and ride back.

It is not about biking

Every now and then a journalist asks us about the environmental side of the bike tour. We answer that we don’t want to preach. We just want to show that everyday choices to fight climate change are possible and fun. We ride our bikes, play and smile while doing it. Maybe it’s more effective.

But some preaching is needed also. Here is an article about the latest and biggest and most alarming study about climate change. Seems that everything will happen pretty quickly.


For us that is easy to believe because we have visited glacier edges in Sarek and Spitsbergen, for example. Relatively new maps are not correct anymore. They show ice that is not there. That does not proof anything of course, but even vanishing glaciers are kind of big things, and when you see by your own eyes what happens to them, you really feel it.




Suolahti – Keuruu

Emilia was born in Suolahti and Kare in Keuruu. Lately we have ridden between those towns quite often, so it was an easy start for the longest continuous section of our tour.

The road is quiet and lonely. We like it.

The first two hours it was raining but it was good to test that our gear is waterproof. And that all the violins fit to the trailer.


 Now we will go and check the opening concert of Soiton Paikka festival.

Poetry slam – in Nilsiä

There is a new bar called Kaiku in Nilsiä. Nilsiä is a very small town, and Kaiku is just an ordinary bar, or so they say. But the bartender is a nice guy and they happen to have a poetry night 1.7. and we happen to ride past Nilsiä that day.

So the bartender called us and asked us to play a gig. And of course we will, and for poetry’s sake Emilia will sing all the Kalevala runos and ballads she knows.

This is what the bike tour is all about – playing wherever we are, meeting new people in new places.

It is different

Yesterday was the first proper riding day of the tour – 140 kilometers and two gigs. Kare hauled the trailer that was loaded with two violins and one nyckelharpa. Emilia had panniers. From Helsinki to Lohja the wind was blowing hard against us. Luckily (NOT!) it eased up when we rode back.
We noticed a few things.

Before the gig riding helps with the nerves – stress and biking don’t get along.

After the gig riding helps to get rid of excess energy. Some musicians go to bar, but riding home is more effective and healthy.

On your bike you can’t hang around in social media or mess with random office work. Traveling by bike helps you to keep focus. It’s like meditation, and totally different to travellng by car.

You can memorize the lyrics or the speaks when riding a bike.

Kilometers on the map are easy. Kilometers in real are not easy, but they are fun and worth it. Seven hours of riding, two hours of playing.

Kare’s violin. In action first time in fifteen years.

The set list, serious business.

Bemböle Kaffestuga – an obligatory stop for cyclists.